Feminine Transformation In Gilman’s “The Yellow Wallpaper” Essay Example for Free

effeminate Transformation In Gilmans The Yellow W solelypaper EssayFiction is often employ as a vehicle to convey radical ideas to readers. These ideas are usually reflected in the themes of the stories so that the clarity of pattern is more apparent. The theme of Charlotte Perkins Gilmans The Yellow Wallpaper is quite unique in that it expresses feministic ideas in a seemingly ordinary situation. The Yellow Wallpaper is a story that reveals various truths about the muliebrity and chronicles the feministic version of this muliebrity towards modern charrhood. Gilman employs the first person perspective in her story to allow her unnamed virtuoso to reveal elements of her emotions that would otherwise be concealed from the audience. The fighter, along with her physician hubby and a certain jenny move into a huge house for the purpose of her recovery from an illness in the house the husband assigns a room for the both of them which is a large room with distinctive yellow paper all over the walls. The relay transmitter is then disturbed by the wallpaper and begins to derive images from it which in turn is used as a metaphor for her feministic transformation.The forward part of the tale reveals much about how the traditional woman actually is. The very first aspect of the traditional woman that star would easily notice from the text edition is a submissive personality. The lines, But John says if I feel so, I shall neglect proper obstinance so I take pains to control myself in front him, at least, and that makes me very tired. (Gilman) illustrate how the sensation neglects her have feelings before her husband and this implies that if she prioritizes what her husband felt over what she felt, she was quite likely to do the aforesaid(prenominal) with other more menial things making her exceptionally submissive.Another aspect of the woman revealed in earlier parts of the tale is the feminine view on marriage. In the lines, John laughs at me, of course, but one expects that in marriage. (Gilman) the champ describes how her husband reacts to her when she complains about something weird in the house they were moving into. When the husband laughs, the sponsor concludes that this is normal when two people are married. In effect, the protagonist views marriage as an excuse for make fun and the fact that she is married to someone requires that she accept that ridicule as part of beingness married.This is a inappropriate perception on the part of the protagonist but because of the submissive attitude of this main character it is not surprising that she should think this way. Other than this, her submission even affects her desire to write as she conceals her writing, hence, the protagonist admits, I did write for a while in spite of them but it does exhaust me a good use up (Gilman) because she had to write despite contradictions from her husband as this made her feel better.The decision of the protagonist to write express es the protagonists, struggle to throw off the constraints of patriarchal society in order to be able to write. (Thomas) So, in these first few parts, the author describes the current state of the protagonist, where Women were cast as emotional servants whose lives were dedicated to the wellbeing of home and family in the perservence of social stability. (Thomas) In a way, the author even discreetly refers to the cozy inadequacies of the relationship by referring to a nailed-down bed in the lines, I lie here on this dandy immovable bed it is nailed down, I believe (Gilman)Eventually, as the protagonist focuses her attention on the yellow wallpaper and the fact that her husband insists that they do not change it despite pleas from the protagonist, she begins to see the wallpaper as something else reflecting the fetter that she experienced from being isolated and treated inappropriately by her husband. This is quite clear in the lines, posterior that outside patterna woman stoo ping down and creeping about behind that pattern. (Gilman) Here, the protagonist initially describes a woman apparently caged behind the wallpaper patterns.While this could be images within the protagonists mind, it definitely reflects how she feels being in the room and in her situation. This image of bondage is further amplified by the lines, At night in any kind of lightworst of all by moonlight, it becomes prohibit The outside pattern I mean, and the woman behind it is as plain as can be. (Gilman) It is at this point that the protagonist expresses an intrinsic feeling of bondage because she is not able to express it outwardly, and so, projects the feeling unto the wallpaper.This point incident, is a reaction to the lack of free agency that women had in the late 1800s . (Gilbert) Soon, days before the last day the couple was to spend in the mansion, the protagonist breaks free and becomes a new, more progressive tense woman. This is implied in the lines, I pulled and she sho ok, I shook and she pulled, and before morning we had peeled off yards of that paper (Gilman) which the protagonist used to describe her peeling off the paper. During the motions she admits to assist the woman behind the patterns but indirectly, this implies that the woman she was helping was herself.The act, therefore, of tearing the wallpaper was parallel to freeing the woman behind the patterns, and so, freeing herself from her personal bondage. (Garcia) The protagonist, hence, went from being a traditional woman to a liberated woman in her feminist transformation, even when the conclusions of the story seemed to think of that the protagonist had lost her mind because of the isolation, hence, the lines, Ive got out at last, said I, in spite of you and Jane. And Ive pulled off nigh of the paper, so you cant put me back (Gilman) where she had finally fused her own persona with the persona of the woman behind the patterns.Quite obviously, the textual evidence in this tale consis tently describe the struggles of a woman from being the kind enslaved by a patriarchal society to someone who was able to express her own individuality, albeit, unconventionally. The story very clearly describes how one woman transformed gradually from being traditional to being the new or modern woman. ? Works Cited Garcia, Viola. Charlotte Perkins Gilmans The Yellow Wallpaper. fgcu. edu. N. p. , 2009. Web. 1 Aug. 2010. http//itech. fgcu. edu/faculty/wohlpart/alra/gilman. htm. Gilbert, Kelly.The Yellow Wallpaper An biography of Emotions by Charlotte Perkins Gilman . fgcu. edu. N. p. , 2009. Web. 1 Aug. 2010. http//itech. fgcu. edu/faculty/wohlpart/alra/gilman. htm. Gilman, Charlotte Perkins. The Yellow Wallpaper. EastoftheWeb. com. N. p. , 2006. Web. 1 Aug. 2010. http//www. eastoftheweb. com/short-stories/UBooks/YelWal. shtml. Thomas, Deborah. The Changing Role of cleaning womanhood From True Woman to New Woman in Charlotte Perkins Gilmans The Yellow Wallpaper. fgcu. edu. N. p. , 2009. Web. 1 Aug. 2010. http//itech. fgcu. edu/faculty/wohlpart/alra/gilman. htm.